To Whom It May Interest #8:
Struggling to Understand The Smiths – Part 4: “Strangeways, Here We Come”
”I touched you at soundcheck/you had no way of knowing/in my heart I begged ‘ please, take me with you…I don’t care where you’re going...’” To Whom It May Interest, Tap, tap, tapping away at the keys, I’m only thinking of the word “transition.” Bands do it all the time: “transitioning” that is. A band will change their sound, incorporate classical instruments, work with Timbaland or Bono , fuel their bloodstreams with chemicals and “transition” from sober to wasted for the sake of art. Other bands, well…”transition” means “call it quits,” allowing each respective member to “transition” somewhere else in some other way. But, before the “transition” occurs, there’s always that one final album to consider: the “Swan Song.” ”Strangeways, Here We Come” is not only The Smiths ’ last chapter, but also the mark of a band that was trying to go somewhere else musically. Morrissey was still prosaically bummed out, as he should’ve been, (every band needs a distinguishing characteri