Wednesday, April 30, 2014

Shopping For Records: Black Pus/Oozing Wound Split 12"

While I have yet to hear any tracks from the upcoming split release from Thrill Jockey label-mates, Black Pus and Oozing Wound, the combination of names was too perfect to ignore.  The release will be out on June 6th, so I'm hoping to hear something before then so I can at least assess somewhat the potential damage this release is likely to inflict.  In the meantime, I can at least display some cover art and provide links to songs from past albums, namely the Black Pus track, "1,000 Years," and Oozing Wound's "Welcome to the Spaceship, Motherfucker," (a yardstick by which all song titles should be measured as far as I'm concerned.)

Information, artwork and links come courtesy of Thrill Jockey Records.



It had to happen right? With names like that? Thrill Jockey label-mates and kindred spirits Black Pus and Oozing Wound have joined forces for a limited vinyl-only split LP release featuring brand new tracks from each!

In May 2013, The Empty Bottle in Chicago hosted one of the nastiest line-ups in the history of the venue: Chicago thrash upstarts Oozing Wound opening up for Black Pus, the raucous and otherworldly solo project of artist and famed Lightning Bolt drummer Brian Chippendale, whose
All My Relations had been released just a month prior.

An instant bond was formed that night between the Pus and the Ooze, and it wasn’t long before plans were set in motion for these kindred spirits to occupy the same slab of lovely vinyl. The Black Pus/Oozing Wound split captures both bands energy in a raw form. Intended as a limited edition record, the split is not a mere raw blast, it shows a new side to Black Pus and is a teaser for the monster second album from Oozing Wound due out later this year (a follow up to 2013's

The split LP is presented as a double A-side pressed on virgin vinyl with free download card and cover art from both Brian Chippendale and Sam Nigrosh (Oozing Wound’s visual companion).

Black Pus will tour Europe this summer, including an appearance at Roskilde Festival in July. Full dates below:

Black Pus June & July European Tour
Thu June 26th Rotterdam, Netherlands - Worm - tickets
Fri June 27th Larz, Germany - Fusion Festival - tickets
Sat June 28th Weikersheim, Germany - Club W71 - tickets
Mon June 30th Vienna, Austria - Fluc - tickets
Tue July 1st Nurnberg, Germany - K4 - tickets
Wed July 2nd Munich, Germany - Feierwerk - tickets
Fri Jul 4th Roskilde, Denmark - Roskilde Festival - tickets

Black Pus on Facebook / Twitter
Oozing Wound on Facebook / Twitter


1. Blood Will Run (Black Pus)
2. Total Eclipse (Black Pus)
3. Ganja Gremlin (Oozing Wound)
4. Aging Punk (Oozing Wound)
5. All Things Must Pass Out (Oozing Wound)

Tour dates HERE

"Brian Chippendale is a ball of energy" - The Quietus

"Brian Chippendale has no interest in making his puzzles easy, but Christ, it’s just wonderful to hear him playing drums" - Drowned In Sound

"Chicago trio Oozing Wound play loud, brash and snotty crossover thrash with a penchant for the kind of big, obnoxious riffs that can’t fail to plaster a huge grin across your face" - Terrorizer

“F**k a band aid, it's all about an OOZING WOUND!” - Cvlt Nation

Thrill Jockey label-mates and kindred spirits Black Pus and Oozing Wound have joined together for a strictly limited vinyl-only split LP release. The LP is presented as a double A-side pressed on virgin vinyl with free download card and cover art from both Brian Chippendale and Sam Nigrosh (Oozing Wound’s visual companion). This is a pre-order for June 17th street date. All orders containing this item will ship on or before the street date. On May 7th, 2013 The Empty Bottle hosted one of the nastiest bills in the history of the venue – Chicago thrash upstarts Oozing Wound opening up for Black Pus, the raucous and otherworldly solo project of artist and drummer Brian Chippendale, whose All My Relations had been released just a month prior. Both bands played earth-shattering sets, leaving all in attendance in the kind of daze that is unique to extended exposure to incredible, and incredibly loud, music. The bond formed that night between the Pus and the Ooze was instant, and it wasn’t long before plans were set in motion for these kindred spirits to occupy the same slab of vinyl. The Black Pus/Oozing Wound split captures both bands energy in a raw form. Intended as a limited edition record, the split is not a mere raw blast, it shows a new side to Black Pus and is a teaser for the monster sophomore album from Oozing Wound being mixed in April 2014.

“Blood Will Run,” which opens the Black Pus side of the LP, is the first Black Pus track to feature clean vocals, free of the distortion and hiss that has always masked Chippendale’s vocals be that live or on record. Chippendale chose to record the vocals unaffected in order that they could be up front, in the listener’s face. The song deals with the senseless shooting of Jordan Davis by Michael Dunn after a disagreement over loud music coming from an SUV that Davis was a passenger in. “Total Eclipse” is a 14-minute epic that, in classic Chippendale fashion, is driven by his galvanic drumming and caked in glorious noise.

Oozing Wound provide three tracks that are pure studio creations, the product of editing down 4 hours of audio into one concise 15 minute blast of primitive riffs, bass moans, and lurching drums. “Ganja Gremlin” and “Aging Punk” retain the bands signature reckless abandon and humor, but deviate from the format of the bulk of the songs on the band’s debut Retrash. “All Things Must Pass Out” is pure, sludgy riff worship.

Black Pus will tour Europe this summer, playing the Roskilde Festival in July. Oozing Wound will be playing the Gilead Media Metal festival in July in addition to some east coast dates. Their second album is due out in August 2014.

Letters From A Tapehead

Thursday, April 24, 2014

Daughter of a Tapehead: Marnie Stern

Marnie Stern
"Is My Name" flexi single
Joyful Noise Recordings
Released: 3.14

*Yes, the music made her do this. 

Letters From A Tapehead

The Skull Defekts: "The Known Unknown"

Back in February, I posted the single "Awaking Dream," from the Swedish post-punk outfit, The Skull Defekts, who have recently released their new album, Dances in the Dreams of the Known Unknown.  The band has put out a new video for "The Known Unknown," which attains a level of propulsive ugly historically achieved by a bands like Big Black or The Birthday Party, a relatively sinister croon complimented by dominating percussive cycles and corrosive guitar sounds.  While I wouldn't put the Defekts in the same league sonically as a band like Pop. 1280, they don't skimp on aggression.

The Skull Defekts - The Known Unknown from Thrill Jockey Records on Vimeo.

The video for "The Known Unknown" was provided by Thrill Jockey Records, along with all the information below.  Check out the video and read up on the album.



"They'll be few better channellings this year of rock as a primordial force, promising liberation through obliteration" - The Quietus

“Masters of their craft” - The Line of Best Fit

"Undoubtedly one of the most inventive albums you will ever hear" - Louder Than War

Swedish post-punks The Skull Defekts released their latest album '
Dances in Dreams of the Known Unknown' a couple weeks ago via Thrill Jockey, the group’s third release as a quintet, with the legendary Daniel Higgs of Lungfish fame.

With their announced US dates coming up this month and planned gigs in Europe (the latter to be announced soon), the band have released a video for the uptempo 'The Known Unknown' with its early Killing Joke ‘tribal’ drumming sound.

In the video for The Known Unknown, director/editor Joe DeNardo uses mixed imagery from American football, naval battle footage and a science tape exploring 'The Mind' to create the visuals to accompany the track.
"I tried to play off the lyrics a bit to visually approximate an idea of TOTAL CONFUSION," says DeNardo, "though not without some playfulness..."

The Skull Defekts
Dances in Dreams of the Known Unknown
Out now via Thrill Jockey
Available on LP / CD / DL

"They'll be few better channellings this year of rock as a primordial force, promising liberation through obliteration" - The Quietus

“Masters of their craft” - The Line of Best Fit

"Undoubtedly one of the most inventive albums you will ever hear" - Louder Than War

"Their most arresting release yet" - The AV Club

"Sweden's The Skull Defekts create a glorious sonic racket" - Under The Radar

"Transformed repetitiveness and discordance into something weird and beautiful" - Bizarre

“The album is a thrill from start to finish” - The 405

"With a crash of heavy riffs, the doors of imperception are opened" - Financial Times

The Skull Defekts on
Facebook / Official website


1. Pattern of Thoughts
2. It Started with the Light
3. The Fable
4. King of Misinformation
5. Awaking Dream
6. The Known Unknown
7. Venom
8. Little Treasure
9. Cyborganization

When the Skull Defekts entered the studio in the Spring of 2013 with nothing more than a collection of loosely organized riffs, they set out to record their most extreme, challenging rock record. Much to the band’s surprise, what emerged were their most incessantly listenable, approachable songs to date. The Defekts merge the coarse vitality of punk with the ritualism of folk dances to create music that is addictive, wondrously discordant, and rooted in a belief in the overwhelming power of pure sound.
Dances in Dreams of the Known Unknown is the Swedish group’s third release as a quintet, with the legendary Daniel Higgs joining Joachim Nordwall and Daniel Fagerstroem on vocal duties and acting as the group’s spiritual ringleader. The Defekts have long acted as the backbone of the Swedish experimental underground, but since their 2011 breakthrough Peer Amid, the group has emerged at the vanguard of a new wave of radical Scandinavian rock music alongside Iceage and the Posh Isolation label.

From the opening patter of “Pattern of Thoughts” to the propulsive chants of “Cyborganization,”
Dances in Dreams of the Known Unknown feeds on the tension between lean and bright song production and the hefty, sometimes surreal sounds produced by Nordwall and Fagerstroem’s guitars. Daniel Higgs’ spontaneous, metaphoric poetry is as perplexing as ever, but it is delivered with a clarity not heard since his days fronting Lungfish. Album centerpiece “The Known Unknown” is centered around a driving riff, with Nordwall turning the song’s title into a mantra as intense as it is transcendent. Throughout, the group anchors their riffs with exotic sustained chords, adding a distinctly Carnatic flavor.

Nordwall’s long history in the European experimental music community serves to reinforce the group’s place as one of the most forward-thinking rock bands working in the continent today. In addition to running iDEAL Recordings since 1998, Nordwall has released collaborative recordings with Mika Vainio of Pan Sonic, Kevin Drumm, and Mats Gustafsson, whose FIRE! Orchestra he recently joined. Although the Skull Defekts have ceased to perform or record noise music, that adventurous spirit is still a dominant part of their music.

The Skull Defekts will tour Europe and the US as a quintet.

Letters From A Tapehead

Wednesday, April 23, 2014

Singles: Arto Lindsay, Dead Dream, Se Delan, Veda Rays

Arto Lindsay: "The Prize" (via Northern Spy Records/Soundcloud)

Dead Dream: "Sleepwalker" (via Wondering Sound/Soundcloud)

Se Delan: "Tonight" (via Snapper Music/Kscope/Soundcloud)

Veda Rays: "Wait For Teeth to Show" (via Veda Rays/YouTube)

Letters From A Tapehead

Monday, April 21, 2014

RSD 4.19 – Long in the Deux...

My last Record Store Day trip to Long in the Tooth was a good one, so I made plans to head over there this year.

Most of the details of this year's trip weren't necessarily plentiful.  I met up with some friends for a train ride to Suburban Station from Lansdale.  From there we would travel the remaining few city blocks by foot and get in line at the store as early as possible.  After casually finding ourselves inhaling a wake of second-hand pot smoke smoldering from the tip of a joint being passed back and forth by a group of city workers on their way to Dunkin' Donuts, we took our spots at the tail end of a line that was about twenty-something people long.  We stood for maybe an hour before the store opened at 10AM.  For the purposes of keeping the crowd controlled and the year's exclusives distributed as fairly as possible, only a few shoppers were allowed in the store at a time.  Consequently, we were in line for an additional thirty to forty minutes before we entered the store.  My entire budget went toward exclusives this year.  Here's what I picked up:

Learn to OBEY 7"

Artwork by Shepard Fairey.  I haven't had the chance yet to pick up OFF!'s newest release, Wasted Years, but once I got to the counter and naturally blanked on what I wanted, the bold presence of "OFF!" printed on the sleeve caught my eye and was then added to the pile.  After pretty much spending the entirety of what I was able to, I mentally punched myself in the head as I perused the store, finding Drop from Thee Oh Sees, the Joy Division 12" and other gems that I'd wanted.  There were no copies of the yarn-embedded "Mess on a Mission" 12" from Liars, which was also a primary want.

Dinosaur Jr. 
Visitors 5 x 7"
Jagjaguwar/Numero Group

The Visitors box set from Dinosaur Jr. is a reissue of the band's first four singles (plus a bonus 7"), recreating cover art that had been originally been conceived by artist, Maura Jasper.  There's an essay from Jasper detailing her time with Dino from 1985-1990, sensitively recalling how the band's music had inspired her work and the ins and outs of creating the band's early visual identity.  The booklet also includes some of her unseen artwork.  For a couple of the sleeves, "Jagjaguwar" is printed as "JAG" and meant to stylistically emulate the SST logo.  I found that amusing.

I thought this was a decently priced acquisition at $40.  If nothing else, it's a very well-produced package.   The bonus 7" contains a cover of the Byrds' single, "I'll Feel a Whole Lot Better," which was originally featured in a 1989 tribute album called, Time Between — A Tribute to the Byrds

Contents include:
"Repulsion" b/w "Bules of Passion"
"Little Fury Things" b/w "In a Jar"
"Freak Scene" b/w "Keep the Glove"
"Just Like Heaven" b/w "Throw Down" & "Chunks"
"Show Me the Way" b/w "I'll Feel a Whole Lot Better"

Various Artists
TAANG! Records — The First 10 Singles
TAANG!/Get on Down 

While I stood in line, my friend Chris, who'd arrived at the store earlier, approached me with this beautifully constructed TAANG! Records box set, which I'd considered picking up.  "You wanted this, right?"  I couldn't say "no:"  It's pretty awesome and definitely the type of release you'd want an event like Record Store Day to inspire.  The set is ten 7" singles, a full CD compilation of the material to satisfy any wish for portability and a booklet penned by the label's founder, Curtis Casella.  And, the housing package is stunning to the point where I don't even want to get fingerprints on it.  I almost experienced some remorse just pulling off the shrink wrap.  It wasn't cheap: $70 was the price.  But, seeing as only 2,000 of these were produced for the occasion, I knew I'd regret taking a pass.

Contents include:
Gang Green: "Sold Out" b/w "Terrorize"
Last Rights: "Chunks" b/w "So Ends Our Night"
Stranglehold: "Shame All Over" b/w "She's Not Leaving"
Last Stand: "Scum Guns" split w/ Noonday Underground: "Injun Joe"
Negative FX: "V.F.W." b/w "Mind Control/Negative FX/Together/Feel Like A Man"
Gang Green: "Skate to Hell" b/w "Alcohol"
Oysters: "Mine Caroline" b/w "Tell Me"
Lemonheads: "Glad I Don't Know/I Like To" b/w "I Am a Rabbit/So I Fucked Up"
Moving Targets: "Less Than Gravity" b/w "Faith/Squares & Circles"
Slapshot: "Same Mistake" b/w "Might Makes Right"

As for this year in event analysis and cynicism, I'll leave that to The Quietus who put out this rather compelling article on how Record Store Day is hurting the indie labels it'd intended to help.  As always, blame the majors.  (Thanks for article, Chris.)

Until next year...

Letters From A Tapehead

Monday, April 14, 2014

Wednesday, April 09, 2014

Shopping For Records: Sonic Youth and John Coltrane

Took a drive to The Vinyl Closet on Saturday just for some casual browsing and found the following:

The Vinyl Closet
North Wales, PA

Sonic Youth
Sonic Youth EP
SST Records
Originally released: 3.82 (via Neutral)
Reissued: 1987

Sonic Youth's self-titled EP was originally released in 1982 on Neutral Records, which belonged to Glenn Branca of Theoretical Girls.  The version I found is the 1987 SST reissue, which, to me, was still a pretty cool find and worth the $25 I dropped.  I gave this a spin last night and it sounds clean, though it could use a dusting.

It's worth noting that Sonic Youth's signature dissonance hadn't yet become a major part of the band's identity, (though feedback and atonality still play some role), so the EP is rooted in the more familiar workings of the post-punk/no wave underground that defined New York's art scene in the late 70s.  There's some A Certain Ratio groove to this, too.

John Coltrane
The Africa/Brass Sessions, Vol. 2 
Originally released: 1974
Reissued: 1999

John Coltrane began his very prosperous relationship with Impulse! In 1961 with Africa/Brass, a grand endeavor featuring a cast of 21 players.  Included were future quartet partners, drummer, Elvin Jones, and pianist, McCoy Tyner, both of whom had already performed on the last of Coltrane's Atlantic releases, Coltrane Jazz and My Favorite ThingsEric Dolphy had been tasked with orchestrating the sessions, though Tyner was later accredited with sharing that responsibility in the 1995 reissue of Africa/Brass, which was renamed The Complete Africa/Brass Sessions as it pulled together the original album and the material found on The Africa/Brass Sessions, Vol. 2, another of my Saturday finds.

The Africa/Brass Sessions, Vol. 2 was originally released in 1974 and features three outtakes from the 1961 sessions orchestrated and arranged by Dolphy.  "Song of the Underground Railroad" hadn't yet been released.  The copy I purchased is a 1999 reissue of the album, a large sticker on the back boasts "Includes original liner notes and photos."  I paid $15.

I'm at a point where I'll pick up whatever Coltrane vinyl I can find.  So as to keep the cost low I put back an early 80s Ornette Coleman LP and a copy of JACO by Jaco Pastorius.

Letters From A Tapehead

Tuesday, April 08, 2014

Singles: Boris, TOBACCO, Helms Alee, Warpaint, Geronimo!, Cloak of Altering

Boris: "Quicksilver" (via Sargent House/Pitchfork/Soundcloud)

TOBACCO: "Streaker (w/ Notrabel)" (via Force Field PR/Noisey/Soundcloud)

Helms Alee: "Punchy Stabby" (via Sargent House/Pitchfork/Soundcloud)

Warpaint: "Disco//Very" & "Keep It Healthy" (via YouTube)

Geronimo!: "Mr. President" (via Exploding in Sound Records/Soundcloud)

Cloak of Altering: "Chaos Magician of the Abyss" (via Earsplit PR/Crucial Blast/American Aftermath/Soundcloud)

Letters From A Tapehead

Thursday, April 03, 2014

Thee Silver Mt. Zion Memorial Orchestra: "Birds Toss Precious Flowers"

So, I'm still in need of a copy of Fuck Off Get Free We Pour Light On Everything from Thee Silver Mt. Zion, but I'm hoping to remedy that very soon.  In the meantime, Constellation Records is issuing a new EP of remixes of SMZ material called Hang On To Each Other.  So far, the very dance-friendly "Birds Toss Precious Flowers" is all that's surfaced.  You can sample that track below and then check out the released information brought to you courtesy of Rarely Unable. 


Constellation are an unstoppable force, as today they announce the last of their new releases for Spring 2014, and what a way to round up with the announcement of Hang On To Each Other, a vinyl and digital-only EP of “remixes” from Thee Silver Mt. Zion Memorial Orchestra.

Following their acclaimed Fuck Off Get Free We Pour Light On Everything released in January, SMZ dusted off an old chestnut from their 2005 album Horses In The Sky and coat it in glitter and shards of glass; not remixes really, but brand new recordings that use set-closing live favourite “Hang On To Each Other” as a launching point for some rather glorious dancefloor excursions.

The EP will be available in the UK/EU April 28th (and from the band directly during their upcoming North American tour). See below for some words from the band, and to hear "Birds Toss Precious Flowers"

Here's some words from the band...

It's like that famous quote that Emma Goldman never said = "DANCE DANCE REVOLUTION"!
Somewhere around 1964 or thereabouts, we wrote a tune called "Hang On to Each Other". Acapella mostly, with just a few chords on harmonium. Recorded the thing in the woods 'round a campfire = heady times.

The chords to that tune are like house music chords, and we figured we'd re-record it someday, thusly and EARNESTLY. 4-on-the-floor. Drum machines and arpeggiators. Pink lasers and grape-flavored smoke machines. Most important thing = No irony.

Because we love that kind of music, and impromptu dance parties too.

Guess it took a long time to manifest, but this past x-mas we finally rustled up the necessary gear and holed up in the snow to loop thee joyful noise = 808, Oberheim Two-Voice, bright yellow toy keyboard, low pass filter, auto-wah bass guitar, wooden drone-box, squeaky tape delay, broken oscillator, string machine, distortion pedal, and violin. No guitar.

We let the machines yell at each other until they were hoarse and wheezing. With a baby in her belly, Ariel Engle of AroarA did the kind of singing that we can't, and we are thankful. Outside of the studio, the city was frozen, and thin tendrils of fine snow whisped across the ice like dragons.
We made this thing like a for-real disco 12-inch, to give to d.j.'s to play because we live in the kind of town where some d.j.'s maybe will. Much respect and much love to thee sweaty dancers, and the lost ones, and the ones who fell away.

- xoxoxox thee silver mt. zion memorial orchestra

Letters From A Tapehead

Wednesday, April 02, 2014

The Body/Thou: Released From Love EP

So, The Body and Thou have released a collaborative EP on Vinyl Rites called Released From Love.  I had no idea this was coming out, The Body still running full-on from 2013's Christ, Redeemers and Thou gaining some momentum with their latest album, Heathen.

As far as collaborations go, it's fair to say that the amount of doom and gloom amassed into this EP is considerable and ably rep'd by everyone involved.  While I can't say I'm too familiar yet with Thou's latest release, I can certainly confirm the severity of the contributions The Body offer, the EPs first two tracks ("The Wheel Weaves as the Wheel Wills" and  "Manifest Alchemy") as grim and molten as anything on Christ, Redeemers or All The Waters Of The Earth Turn To Blood.  The third track, "Meetings Hearts Beat Closer," struck me like a dropped anchor.  It has devastating weight. 

And, then, interestingly, the band closes the EP with a cover of Vic Chesnutt's "Coward."  You can even discern the song's key melody.

The album is currently streaming at Invisible Oranges.  All the info, tour dates and links come to you courtesy of the always excellent people at Earsplit PR. 

THE BODY/THOU: Fully Collaborative Vinyl-Only Release Out Now On Vinyl Rites

Both Bands To Undergo Shared Summer Tour

Vinyl-only independent label, Vinyl Rites, this week releases
Released From Love, a fully collaborative recorded effort between THE BODY and THOU.

With three original tracks as well as a harrowing cover of Vic Chesnutt's "Coward," recorded last year with James Whitten and mastered by Machines with Magnets, the entire lineup of Baton Rouge's noise-soaked doom/sludge quintet, THOU, and now-Portland, Oregon-based apocalyptic/experimental doom cult, THE BODY, orchestrate their wretched, noise-drenched tones and horrifying lyrical deliveries into twenty minutes of material through this four-movement mini-LP. On this collaboration, everything comes to its peak. Everyone's voice is heard, through instrument or otherwise, clearly defining their role in the project. All the things that make both groups special are apparent and fleshed out.

Invisible Oranges is now playing the entire Released From Love 12" in its entirety, stating of the opus, "
Chip King's distinctive shriek punches through the mire and then retreats; caustic electronic sounds seethe up through seams in the riffage. If these bands were a street-fighting tag team, Thou would be the big hulking dude who occupies your attention long enough for the small, shifty Body to sneak up behind you and jam a knife between your ribs."

Listen to Released From Lovenow AT THIS LOCATION.

Released From Love is a vinyl-only release, pressed on 180-gram black vinyl with heavyweight covers and letter-pressed inserts by Beck Levy. There will be no CD pressing nor any form of digital distribution of the material. Orders for the wax can now be placed HERE.

Released From Love Track Listing:

Side A

1. The Wheel Weaves as the Wheel Wills
2. Manifest Alchemy

Side B

3. In Meetings Hearts Beat Closer
4. Coward (Vic Chesnutt)

THOU has been active for over seven years, honing their sound over dozens of releases. Stereogum called their most recent full length,
Heathen (Gilead Media), "...dark, bombastic, hugely ambitious album of great sorrow, but perhaps even greater beauty." THE BODY is two men who have been recording, playing, and consuming heavy metal together for most of their lives. Their newest LP, Christs, Redeemers (Thrill Jockey), is so original and devastating that The New Yorker called THE BODY "[One] of the most remarkable acts bubbling up from the extreme-metal underground."

Having already toured extensively together in the past, in the coming months both bands will be playing live in support of the release. On the last day of June, THE BODY and THOU will tour out of Baton Rouge, and up the East Coast, and out to the Midwest playing a wide array of clubs, galleries and DIY venues into the third week of July. On the trip, both bands will perform solo sets as well as collaborative material from Released From Love. While the final details of the tour are still being confirmed, some of its highlights will include a radio set on underground radio station WFMU in Jersey City, and the end goal is a collaborative set from both bands on the opening night of the massive three-day Gilead Fest in Oshkosh, Wisconsin on Friday July 18th, alongside Ash Borer, Hell, Inter Arma, Protestant, and Oozing Wound that evening, as well as a set from THE BODY on day two and a set by THOU on the final day, July 20th.

THOU / THE BODY Summer Tour:

6/30/2014 TBA - Baton Rouge, LA
7/01/2014 The Forge - Birmingham, AL w/ Lume
7/02/2014 Legitimate Business - Greensboro, NC
7/03/2014 Empire the Bar - Richmond, VA (2pm matinee)
7/03/2014 TBA - Washington, DC
7/04/2014 Sidebar - Baltimore, MD w/ Curse (12pm matinee)
7/04/2014 TBA - Philadelphia w/ Hirs, Pissgrave, Backslider
7/05/2014 WFMU - Jersey City, NJ (matinee)
7/05/2014 ABC No Rio - New York, NY (matinee)
7/05/2014 TBA - New York
7/06/2014 The Orphanage - New London, CT (1pm matinee) w/ Empty Vessels, Snow Orphan
7/06/2014 TBA - Amherst, MA w/ Rozamov
7/07/2014 TBA - Boston, MA w/ Curmudgeon
7/08/2014 Machines with Magnets - Providence, RI
7/12/2014 TBA - Syracuse, NY w/ Bleak, Blood Sun Circle
7/13/2014 The Shop - Pittsburgh, PA
7/14/2014 Trumbullplex - Detroit, MI
7/15/2014 TBA - Grand Rapids, MI
7/16/2014 Carbon Room - Michigan City, MI w/ Angry Gods
7/17/2014 Club Rectum - Chicago, IL w/ Ash Borer, Hell

Gilead Fest:

7/18/2014 Masonic Center - Oshkosh, WI THOU/THE BODY collab set w/ Ash Borer, Hell, Inter Arma, Protestant, Oozing Wound

7/19/2014 Masonic Center - Oshkosh, WI - THE BODY w/ Bastard Sapling, Mutilation Rites, Kowloon Walled City, Geryon, False, Sea of Bones, Owlfood, Hexer

7/20/2014 Masonic Center - Oshkosh, WI - THOU w/ Barghest, Loss, Uzala, Lychgate, Seidr, Generation of Vipers, Alraune, Northless

Letters From A Tapehead

Tuesday, April 01, 2014

Singles: Ought, Hiss Tracts, SoftSpot, The Library Is On Fire, Skinfather, Dwellers

Ought: "Habit" (via Rarely Unable/Constellation Records/Soundcloud)

Hiss Tracts: (via Rarely Unable/Constellation Records/Soundcloud)

SoftSpot: "Black Room Blues" (via Force Field PR/SPIN/Soundcloud)

The Library Is On Fire: "Red Flags" (via

Skinfather: "Drown In Black" (via Earsplit PR/Decibel/Soundcloud)

Dwellers: "Creature Comfort" (via Earsplit PR/Small Stone/Bandcamp)

Letters From A Tapehead

New Selections — Emma Ruth Rundle, Tropical Fuck Storm, Primitive Man, Private Life, Uniform, Erika Wennerstrom, Djrum, Windhand

Starting August off with some new singles. Emma Ruth Rundle:  " Darkhorse " (via Rarely Unable /  Sargent House  / YouTub...