No Ripcord: Dead Cross @ Union Transfer

-
Secret Chiefs 3
Dead Cross
Union Transfer
Philadelphia, PA
9.10.17





Sincerely,
Letters From A Tapehead

Comments

Post a Comment

Popular posts from this blog

Moor Mother: "WE GOT THE JAZZ (feat. Kyle Kidd, Keir Neuringer & Aquiles Navarro)"

-
Image
A well-designed lyric video surfaced for Camae Ayewa's (a.k.a. Moor Mother) "We Got The Jazz," a new single featured in her upcoming release  Jazz Codes Deluxe , which is an enhanced digital version of 2022's excellent Jazz Codes .  From the desk of Stereo Sanctity: “‘ We Got The Jazz ’ is me thinking about how mediocre a lot of popular music is, about its capitalistic structures and how those placements are bought and paid for,”  Ayewa said of the song’s meaning.  “I'm speaking about the whitewashing of who's allowed to participate in jazz, who is allowed to participate in poetry, and asking where the room for innovation is, now and in the future. It’s also me thinking about my jazz band, Irreversible Entanglements, and how we’ve toured the world destroying stages, uplifting audiences, and inspiring everyone on the jazz scene with or without recognition. I'm also speaking about my own influence on the culture.” Jazz Codes Deluxe will be released 5/19/23 ...
Read more

To Whom It May Interest #1: A Word Or Three About Wire

-
Image
To Whom It May Interest, I’ve been simultaneously reading two books at once for the past month or so. One is a biography about Elvis Presley and his rise to superstardom. The other is “Mainlines, Blood Feasts & Bad Taste” by Philip Seymour Hoffman…er, I mean Lester Bangs. A couple weeks ago, I was paging through Bangs’ compiled ferocity and observation and found a review of Wire’s second opus, Chairs Missing . Direct quote from the man himself: “Wire. Think about that word and what it has meant in your life, perhaps even the lives of your ancestors. Then think just how hot you’d be hoppin’ to get a chance to hear a group whose sound might live up to such euphonious appellation! Wire. The Sound of the ‘70s. Flat. Dead. Dull. Thud. Mud. Plod. Sod. But mebbe with a whiplash on the counterstrike.” Now, having myself only recently opened the door to the wonderful world of Wire’s initial trio of recorded bliss, my reaction to the review was chockfull of “you don’t know what you’re ta...
Read more