Florian Schneider (4/7/47 – 5/6/20) In 2009, I wrote a piece about Kraftwerk 's reissued discography, The Catalogue: Four Decades of Masterworks . Without delving into each album individually and distilling every seminal and necessary fiber, the goal at the time was to articulate the group's impact on modernity, which, in my mind, put them in the daunting position of having to constantly evolve alongside technology. Citing the group's 1991 LP The Mix , I wrote the following: "I look at 1991’s The Mix , their re-imagined or updated selection of songs that had, up to that point, been their best known. As both a response to the availability of new technology, and as an alternative to putting out some staid 'best of' compilation, The Mix was Kraftwerk appealing to a new era when guitars were back in vogue and hip-hop had reached its golden age. The Mix comes off as attempt to harness the present, confessing that, even in as primitive a digital era as 199...