The new Joe Lally (Fugazi) album, Why Should I Get Used To It will be released on April 26 on Dischord Records in conjunction with Tolotta Records. This album was recorded in Rome, Italy, where Joe now lives, and features extensive contributions from his tour-mates, Elisa Abela and Emanuele Tomasi. Joe just wrapped up several weeks of European tour dates and will continue to tour throughout 2011.
Neurosis’ Sovereign EP To Be Reissued, Pre-orders Go Up Today
Coming up today at 2pm CST from Hydra Head, pre-orders will be opening up for Sovereign, the 2000 EP from Neurosis. Out of print for years, this 4 track EP clocks in at over 30 minutes and was recorded by Chicago’s Steve Albini. Priced at $20, you can place your orders here. Check out the video below, which was part of the digital bonus material included on the 2000 CD release!
It’s been eight years since Jane’s Addiction released an LP and more than two decades since their seminal Ritual de lo Habitual came out, but Addiction fans can get excited again as Perry Farrell and company have wrapped up recording on The Great Escape Artist, set for release later this year. In addition, Farrell recruited TV on the Radio member and celebrated indie rock producer Dave Sitek for the album. Sitek not only plays bass on the record, but also co-produced and contributed to the writing.
How is this partnership working out? Well, while promoting Lollapalooza’s expansion to Chile this weekend, Farrell debuted a brand new track off the upcoming album while doing an interview with Chilean radio. Hear “End to the Lies” below. (Note: You’ll have to put up with one minor interruption from the Chilean DJ, but as far as DJ voices go, his ain’t that bad.)
I’m no Jane’s Addiction expert, so I ask you: Does this song make you more or less excited for the new album?
To Whom It May Interest, I’ve been simultaneously reading two books at once for the past month or so. One is a biography about Elvis Presley and his rise to superstardom. The other is “Mainlines, Blood Feasts & Bad Taste” by Philip Seymour Hoffman…er, I mean Lester Bangs. A couple weeks ago, I was paging through Bangs’ compiled ferocity and observation and found a review of Wire’s second opus, Chairs Missing . Direct quote from the man himself: “Wire. Think about that word and what it has meant in your life, perhaps even the lives of your ancestors. Then think just how hot you’d be hoppin’ to get a chance to hear a group whose sound might live up to such euphonious appellation! Wire. The Sound of the ‘70s. Flat. Dead. Dull. Thud. Mud. Plod. Sod. But mebbe with a whiplash on the counterstrike.” Now, having myself only recently opened the door to the wonderful world of Wire’s initial trio of recorded bliss, my reaction to the review was chockfull of “you don’t know what you’re ta...
Dax Riggs Howlin’ Rain Queens of the Stone Age Electric Factory Philadelphia, PA 9.29.07 After finding my way to the Electric Factory, it was narrow streets and pedestrians until I thankfully parked my car. Around every corner, excitable men with orange flags will wave you into their grasp: “SHOW PARKING! EIGHT DOLLARS!” I wound up spending ten when all was said and done, avoiding the extra gratuity suggested by the toothless crack addict that loudly waved me into my parking spot. My brother and I quickly walked a block or two and made it into the club after a thorough pat-down and a couple ink stamps were applied to the back of our hands, assuring the meathead with the flashlight upstairs that we were both legal to drink. We were ten minutes late for the opening act, a fellow by the name of Dax Riggs . While ordering two expensive Dixie cups of inexpensive beer (Pabst, by the way), we wound up standing in an area where we had no view of the stage. A projection on the wall across...
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